Organization
Porto Academy

Production
Porto Academy

Guest Lecturers
Atelier Bow-Wow, Not Vital, Steven Holl

Workshop Leaders
Adamo Faiden, Arquitectura G, Fran Silvestre, Joanna Meyer-Grohbrügge, Ling Hao, Luís Urbano, Manuel Cervantes, NP2F, Sam Chermayeff, Sauter Von Moos, SO-IL, Stephen Taylor, Studio Muoto

Assistants
Ana Rita Vale, Diogo Fonseca Lopes, Elena Aleksandrov, José Pedro Lima, João Francisco Sousa, João Salsa, Marcos Veiga, Marta Machado, Ricardo Leitão, Rita Furtado, Rui Pinto, Sevak Asatrián, Stefano Passamonti, Taavi Hentonen

Directors
Amélia Brandão Costa, Rodrigo da Costa Lima

Host
Casa da Arquitectura, FAUP

Sponsors
Barbot, Panoramah

Partners
Casa da Arquitectura, Domus Magazine, Indexshop

Support
CMP, Indexshop

Photographer
Ivo Tavares Studio

Movie
Ivo Tavares Studio

Publisher
Indexnewspaper



Casa da Arquitectura

Casa da Arquitectura - Portuguese Centre for Architecture, created in 2007, is an non-profit cultural association, dedicated to the affirmation and divulgation of architecture in Portugal and abroad. Casa da Arquitectura (CA) intends to fill in the need, in Portugal, of an institution that may treat, receive and make accessible to all the documental collections of different architects, promoting reflection on architecture and taking architecture to the knowledgement and understanding of the general public. The activity of Casa da Arquitectura has received from the Portuguese State, year after year, the recognition of Cultural Interest.

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Faculdade de Arquitectura da Universidade do Porto

'The Faculty of Architecture of the University of Porto (FAUP) works on a building designed by Álvaro Siza. "Porto school", as it is internationally recognized, it’s a worldwide reference in Architecture graduation. On this institution, many awarded and published architects have studied and taught. Fernando Távora, Álvaro Siza, Nuno Portas, Alexandre Alves Costa, Domingos Tavares and Eduardo Souto Moura are some of the greatest examples of the pedagogic, scientific and artistic abilities of Porto school.’ by José Manuel Rodrigues, Director of FAUP master degree in Architecture

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Rivoli

It was inaugurated in 1913 as a National Theatre. In the following years, changes in the urban centre forced a reconsideration and update of the building and thus Teatro Rivoli came to be, in 1923 - refurbished, adapted as a movie theatre, with a programme of opera, dance, theatre and concerts. Architect and engineer Júlio Brito signed the project. In 1994 it was closed for a complete refurbishment, with a project by architect Pedro Ramalho. In October 1997, Rivoli reopened its doors. Presently, Rivoli hosts the national and international programme of Teatro Municipal do Porto with a particular focus on dance, theatre, music, puppetry, contemporary circus and film, along with some of the city’s main events.

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Barbot

Barbot was born in Porto in 1920, in the aftermath of the First World War, with a factory located in Santo Ildefonso (Porto), in the hands of Diogo Barbot. This was the start of a family-run company with a traditional image, for which rigor, safety and quality were fundamental characteristics. All the graphic material and packaging of the time was marked with the initials of its founder - DB. Founded in 1920, Barbot is today a benchmark in the Portuguese interior decoration and renovation market. In the following years, Barbot would make a name for itself in the market. In 1958, under the responsibility of Carlos Aires Pereira, a new factory was built in Laborim and four years later, in 1962, under the management of Zaida Barbot, the founder's daughter, the brand's best-known paint and current sales leader, Barbot Dioplaste, was born. The violent fire of 1981, which destroyed the entire Santo Ildefonso factory, would undoubtedly mark the brand's history. It was at this time that a new cycle began, not only in terms of management, which was led by Carlos Barbot, Zaida Barbot's son, but also in terms of structure. Barbot began its expansion with the transfer in 1982 of its facilities from Porto to Vila Nova de Gaia, and developed a policy of acquisitions and partnerships that helped to strengthen the brand and broaden its offer. As a result of this strategy, by the mid-1980s the company had a reinforced sales team capable of covering the whole country.

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PANORAMAH!

With surfaces above 98% structural glass, minimalist windows are all about glazing. From an industrial point of view, more significant glass dimensions require larger tempering furnaces, smooth operability and technical performances impose precision and higher quality standards, often more demanding than defined by international glass processing norms. To keep up with new challenges, panoramah! verticalized its industrial activity and integrated glass transformation in 2011. Continuously investing in its transformation capacity ever since, it became one of the largest glass transformers in Europe with a 9-metre furnace and the ability to process double- and triple-glazed units up to 29 sqm. This capacity has proved critical in different processes, mainly as glass progressively absorbs new functions, admits irregular and curved shapes or assumes various aesthetic requirements. panoramah! is currently the only manufacturer of minimalist windows in the world that processes and manufactures the main components of its systems, having full control and accountability over the entire process. From design to manufacture and installation, we answer for the complete system, both glass and aluminium. We streamlined glass transformation, adaptation to the system and transportation to the job site, rendering an apparently risky and complex procedure into an everyday job. Furthermore, with built experience in over 60 different countries and a strong network of more than 50 certified specialized partners, panoramah! is effectively present throughout the globe. Supported by our team, this network is composed by fully experienced technicians that ensure a constant presence at all stages, from glazing consulting to installation and long-term maintenance.

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